In a working class neighbourhood on the outskirts of town, breakbeat and hip-hop reverberate around a high-ceilinged hall in what was once a garment factory, now a mural-strewn art gallery and creative hub.
A DJ presides over proceedings spinning vinyl in his booth as, phones out, modish spectators groan and whoop as two b-boys battle before three inscrutable, expressionless judges.
“There ain’t no losers here tonight,” the MC says – his dialect and accent unmistakably southern Californian – as the judges gesture towards the same red-shirted breaker. “Only winners.”
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